Son Volt TRACE

Son Volt: Jay Farrar (vocals, guitar); Dave Boquist (guitar, lap steel guitar, fiddle, banjo, dobro); Jim Boquist (bass, background vocals); Mike Heidorn (drums).
Additional personnel: Eric Heywood (pedal steel guitar); Dan Newton (accordion); Marc Perlman (bass); Craig Krampf (drums).
Recorded at Salmagundi, Northfield, Minnesota in November and December 1994.
Personnel: Jay Farrar (vocals, guitar); Dave Boquist (guitar, lap steel guitar, dobro, banjo, fiddle); Mike Heidorn (drums); Jim Boquist (background vocals).
Audio Mixer: Peter Coleman.
Recording information: Emerald Sound Studios, Nashville, TN (11/1994-12/1994); Salmagudi, Northfield, MN (11/1994-12/1994); Sixteenth Avenue Sound, Nashville, TN (11/1994-12/1994).
Uncle Tupelo ended in volleys of bitter acrimony between founding members Jay Farrar and Jeff Tweedy, and as most of Uncle Tupelo's final lineup joined Tweedy to form Wilco, Farrar set out to assemble a new band that suited his specifications. Teaming with UT's original drummer Mike Heidorn, guitarist and multi-instrumentalist Dave Boquist, and bassist (and Dave's brother) Jim Boquist, Farrar's new group Son Volt started with the deep, resonant sound of his work with Uncle Tupelo and moved it several steps further, and the band's debut album, 1995's Trace, ultimately displayed his talent to better advantage than any album he made before or since. Sequenced to highlight the dynamic push and pull between fierce rockers like "Route" and "Drown," full of Farrar's Neil Young-styled electric guitar, and quieter and more thoughtful numbers like "Tear-Stained Eye" and "Windfall," Trace honored both sides of Farrar's musical personality, and the muscular but unpretentious attack of his backing band was made to order for these songs. And the mixed themes of freedom, disappointment, and betrayal that punctuate Farrar's lyrics clearly reflected his state of mind as he walked away from one band and into another. One could reasonably describe Trace as Jay Farrar's version of George Harrison's All Things Must Pass, a watershed work where the artist occasionally looks to an unsatisfying past as he sets out on a bracing new adventure, and like All Things Must Pass it was a triumph that Farrar would never quite repeat as he created a body of work that was satisfying but never balanced songs, performances, and mood with the easy perfection he achieved here. However, when Trace appeared in 1995, it was hard not to believe Farrar had broken up Uncle Tupelo for all the right reasons, and it's still a powerful, beautifully crafted, and deeply moving set of songs. ~ Mark Deming

• Format: CD
• Genre: Pop